Duke Ellington And Johnny Hodges Back To Back Play The Blues

March 13, 2019 | By admin | Filed in: Blog.

This one you can just sit back. of course, Duke Ellington would be right even for New Year’s Eve at an Antarctic base. I drove along, listening to Lawrence Brown’s trombone solo on "Do Nothin’ Till.

They’re playing that hot jazz in the Turkish Embassy’s old Sheridan. And aren’t those the cats from Duke Ellington’s band – Johnny Hodges, Harry Carney, Barney Bigard – on deck to play? "Just try t.

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The record, with its remarkable Billy Strayhorn arrangement and a gorgeous Johnny Hodges interlude, was a hit in 1941 and remained on juke boxes and radio play. back to singing with the album relea.

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Soloists take their cue, Jimmy Hamilton fierce-blowing his clarinet, Johnny Hodges swooning on alto sax, while Duke darts dissonant. then rises back up to Swing Era dance music with an Afro-modern.

Back to Back: Duke Ellington and Johnny Hodges Play the Blues. From Wikipedia, the free encyclopedia. Jump to: navigation, search. Back to Back; Studio album by Duke Ellington and Johnny Hodges; Released: 1959: Recorded: February 20, 1959 -.

Contemplating Duke Ellington’s “In a Sentimental Mood,” he got a faraway look. “Johnny Hodges on alto sax,” he said. Down the stairs they’d come, and play along, and then go back upstairs.” The Buz.

Duke Ellington’s lead alto player Johnny Hodges performed throughout. Louis Jordan and countless blues and R&B players. King Super 20 1946 to 1975 The King Co. has a long and storied history dating.

As usual titles are all over the place-spine simply states ‘Back to back Ellington-Hodges’ and the labels: Back to back (above track listing) and ‘DUKE ELLINGTON and JOHNNY HODGES play the Blues’ below the track listing.

. Back (Verve) Altoist Johnny Hodges was one of Duke’s longest serving band members, in almost unbroken service from 1928 to his death in 1970. Few words are needed to enhance this album’s subtitle.

Ceaselessly Back and Forth’ Whitney. Mr. Greer left the Ellington band in March 1951 along with Lawrence Brown, the trombonist, to play in a band led by Mr. Ellington’s star alto saxophonist, Johnn.

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Back To Back Duke Ellington and Johnny Hodges Play The Blues ktdchon22; 7 videos; 737 views; Last updated on Oct 10, 2018

Back to Back: Duke Ellington and Johnny Hodges Play the Blues, an Album by Duke Ellington & Johnny Hodges. Released in 1959 on Verve (catalog no. V6 8317; Vinyl LP). Genres: Jazz. Rated #37 in the best albums of 1959, and #3717 in the greatest all-time album chart (according to RYM users).

I should have done what Yngwie does and just play the same thing and develop a thing where people know what they’re going to get. Johnny Hodges, who was Duke Ellington’s sax. The thing that brought.

Stream Duke Ellington And Johnny Hodges Play The Blues Back To Back by Duke Ellington & Johnny Hodges and tens of millions of other songs on all your devices with Amazon Music Unlimited. Exclusive discount for Prime members.

They knew that to play the music they wanted. for sixteen years? WEIN: Duke Ellington had a great alto saxophonist by the name of Johnny Hodges. Johnny Hodges left the Duke Ellington, it wasn’t lon.

Johnny Hodges. When Ellington wanted to expand his band in 1928, Ellington’s clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington’s triumphant return to prominence –.

He distinguished himself as lead alto saxophonist and flautist with Earl “Fatha” Hines’ Orchestra and substituted for Johnny Hodges in Duke Ellington’s Orchestra. Dwight and I are involved with giv.

Johnny Hodges. When Ellington wanted to expand his band in 1928, Ellington’s clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington’s triumphant return to prominence –.

I’ve also acted a fair amount, including an indie film a few years back. Duke Ellington, particularly on the afternoon he was recording the Jazz Party album in 1959. That way I’d also get to hang w.

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Back to Back: Duke Ellington and Johnny Hodges Play the Blues. This is a small group recording with Jo Jones on drums Les Spann on Guitar, Johnny Hodges on Alto Sax and Harry Edison on Trumpet. None of the tracks are Ellington tunes, which is very unusual. When Ellington plays these tunes they begin to sound like he wrote them.

For the summer of 1967, Ellington brought in an octet with the legendary veteran Ellingtonians Cat Anderson, Johnny Hodges, Paul Gonsalves. it is always wise to go back and study Duke—“A flame that.

DUKE ELLINGTON with. OLIVER NELSON: The Blues and the Abstract Truth (1961), “Stolen Moments” Straight Ahead (1961), “Images.” WILLIE NELSON: Stardust (1978), “Moonlight in Vermont.” BOB NEUWIRTH:.

Johnny Hodges. When Ellington wanted to expand his band in 1928, Ellington’s clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington’s triumphant return to prominence –.

Duke Ellington And Johnny Hodges Duke Ellington And Johnny Hodges – Back To Back (Duke Ellington And Johnny Hodges Play The Blues) ‎ (LP, Album, RM) Verve Records , Classic Records

Back to Back is a 1959 studio album by Johnny Hodges and Duke Ellington. It was followed up by Side by Side (1959), recorded at the same sessions. Track listing "Wabash Blues" (Fred Meinken, Dave Ringle) – 6:22 "Basin Street Blues" (Spencer Williams) – 8:05 "Beale Street Blues" (W. C. Handy) – 7:40 "Weary Blues" (Artie Matthews) – 6:50

Back to back, or side by side, Duke Ellington and Johnny Hodges form a duo which, in terms of sustained jazz artistry, has never been rivaled. The Ellington fanciers will be well rewarded, for there are many passages of Dukes unusual and charming solo improvisations. Johnny Hodges, Duke said, has complete independence of expression.

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Back to Back: Duke Ellington and Johnny Hodges Play the Blues Back to Back is a 1959 studio album by Johnny Hodges and Duke Ellington. It was followed up by Side by Side (1959), recorded at the same sessions.

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8 rows  · AllMusic Review by Eugene Chadbourne [+] From the jazz world, it would be difficult to find.

This 1927 classic was inspired by "Camp Meeting Blues," a 1923 recording by an earlier Crescent City trumpet monarch, King Oliver. When Ellington’s version was released, Oliver tried unsuccessfully to.

But now that he is back. to play a solo at a moderate tempo, which he does with a marvelous steamy intensity that is far superior to his customary uptempo meanderings. Harry Carney and Johnny Hodge.

Find album reviews, stream songs, credits and award information for Back to Back – Duke Ellington, Johnny Hodges on AllMusic – 1959 – An album with the spotlight on Hodges, though…

Dan Barrett has been victimized, but the trombonist is so laid back he just lets. with taste…a player Duke Ellington would have loved.” “Critics put labels on everything,” says Barrett. “We’re the.

I am not sure that it is the same today, [but] it meant something back then. Then, it meant you made it. He was talking about styles and how he once had an offer to play in Duke Ellington’s band an.

Back to Back: Duke Ellington and Johnny Hodges Play the Blues, an Album by Duke Ellington & Johnny Hodges. Released in 1959 on Verve (catalog no. V6 8317; Vinyl LP). Genres: Jazz. Rated #37 in the best albums of 1959, and #3717 in the greatest all-time album chart (according to RYM users). Featured peformers: Duke Ellington (piano), Johnny Hodges (alto saxophone), Harry Edison.